Everything you could ask for in a soft keylight. Extremely high light output with full control over hue, saturation, intensity, and color temperature from 2,800-10,000K. Rental comes with ballast and cables, standard diffusion panel, Chimera softbox, and combo stand.
We got an early chance to run some tests with the new Canon C300 mkII, the successor to the popular Canon C300. With 4k recording, high framerate options, 444 12-bit recording, and up to 15 stops of dynamic range, this camera has a lot to offer. Check out our First Look review of the new camera (above).
Handheld gimbal stabilizers are taking camera mobility to a whole new level. But that freedom extends only as long as you can stand to hold up the rig. All day shoots with a Ronin or MoVI can be a heavy task. Luckily, we now have the perfect piece of gear to save your arms during long productions – meet the Easyrig Vario 5 Gimbal Rig.
Designed to support cameras and gimbals from 11lb to 38lb, this vest system lightens the load of a wide range of handheld setups. It serves as an excellent companion to our DJI Ronin or any of our digital cinema cameras — the Vario 5 supports shoulder mounted camera rigs, too. Contact us to reserve the Easyrig Vario 5 today.
Our Newtek Tricaster 460 was out in action this weekend on a crew services gig, managing the live-edit and recording of the UDEF Style Elements Crew 21st Anniversary breakdancing competition in San Jose. Using three Panasonic GH4 camera feeds, audio inputs from the floor and commentators, and a pre-loaded bank of images and video for screen overlays and commercial breaks, we cut and live-streamed the competition to the UDEF website.
View the replay of the live-stream above and check out images below courtesy of individuals’ Instagram accounts. The first image is the live stream and the second shows the event commentators, director, and technical director on the Tricaster.
The Sony A7S is a powerful camera for its size and price range.Now, you can take full advantage of an A7S rental when you pair it with the Atomos Shogun 4K Recorder.Output crisp 4K footage with an impressive dynamic range, beautifully exposing shots that comparable cameras can’t touch.
Internally, the A7S is limited to 60fps at 1080p, but via HDMI, the camera can output 4K footage at 24fps and 30fps, as well as regular HD up to 60fps.In addition, recording to the Shogun gives filmmakers easy access to powerful features like scopes, zebra stripes, and focus magnification with the touch of a finger — all on an easy-to-view 1920 x 1200 seven inch display.The Shogun even allows shooters to preview footage with preloaded 3D LUTs, further bolstering creative control on set.
Rigging up these two great pieces of equipment keeps independent filmmakers at the cutting edge of the 4K video market and greatly increases flexibility in 1080p workflows.Check out the footage below, shot with this setup at varying resolutions and frame rates:
The one consistent piece of gear that you’ll find in the majority of Studio B set photos is the BLUESHAPE battery. We use these V-Mount batteries to power most of our high-end cinema cameras, as well as several of our monitors and light panels. We own several of the 190Wh and 225Wh versions of the BLUESHAPE V-mounts, and rarely, if ever, have to switch them out and recharge on shoot days. These beasts can often power a fully-loaded camera for an entire shoot.
We’re so happy with them that we like to share. Our cinema cameras, like the Red Epic, Scarlet, or Sony F5, rent out with three BLUESHAPE batteries and a dual-bank charger included in the package.
The last couple months have been so busy at Studio B that we’ve neglected to post about our newest Sony cameras, the Sony PXW-FS7 and the Sony a7S. Both are amazing cameras, especially when compared with their low prices. The FS7 rivals the Sony F5 or the Red Epic with its 4k internal recording, 14 stops of latitude, and high frame rate options– all for a much lower rental day-rate. It records up to 180p in HD and up to 60p in UHD (3840×2160), all in 10-bit 4:2:2 with the option of S-Gamut3Cine/S-Log 3 encoding. What’s more, the Studio B FS7 rental comes with your choice of an EF or PL lens mount adapter, in addition to the basic Sony E-mount on the camera.
The Sony a7S is a much smaller, lightweight DSLR option for the more independent videographer. It rivals the Canon 5Dmk.III in price, but blows it out of the water in low light shooting and with its 4k output capability. The a7S records in 50mbps XAVC 4:2:2 in camera to SD cards, and outputs 4k to be captured with an external recorder such as the Atomos Shogun. The main selling point is the low-light capability, which allows this camera to shoot in near complete darkness with an ISO range of up to 409,600.
Below: Low-light comparison between the A7S and Panasonic GH4, by TJ Donegan (seen here).
Both cameras are available today for rent and come with all of the necessary accessories (media, lens mounts, batteries) to pick up and shoot. Just mount a lens and you’re ready to go. Check out Studio B Camera Rentals for these cameras and more.
The Studio B Camera Rentals website is all new! New layout, product categories, pictures, and descriptions, and new design all around. After several years of the previous layout, we decided to switch to a WordPress template for easier editing capabilities and a simpler, more elegant design consistent with the parent company site at studiobfilms.com.
Big thanks to Otterly Designs for designing and build the site from the ground up; Erica at Otterly did a fantastic job turning our ideas into a reality. You can see the site up in Otterly’s portfolio.
Move over F55, our Sony F5 can now shoot 4k internally straight onto SxS cards. We just upgraded it this week, so now there’s no need for the AXS-R5 external RAW recorder for quick and easy 4k shots. While it doesn’t shoot RAW internally (for that you’ll still need the R5), if you want to shoot 4k and don’t want to deal with the size of RAW footage, it’s a lighter, cheaper alternative. Now, rather than recording 500GB of footage for just an hour of 4k RAW, you can fit a lot more on your cards and hard drives with the more compressed 4k XAVC codec.
Since they first came out, the ability to shoot 4k internally is one of the main aspects that set the more expensive F55 apart from the F5. With upgrades like this, however, the gap is narrowing and the F5 is proving to be the better investment.
Best of all, the basic camera rental hasn’t changed in price at all with this upgrade, so you can now rent the F5 and get beautiful 4k images for the same rate as before.